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Four Short Tales
by Jeffry Dwight

Copyright © 1992 Jeffry Dwight. All rights reserved. Reproduction and distribution specifically prohibited.

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Four Short Tales

The Tale of the Broken Vase

    One day a cultured lady was sad because the maid had broken her favorite vase. She sat alone in her room and cried for the beauty that had been but was now gone. When her husband came home, she flew to him and sought consolation in his strong arms. His heart was filled with love for her, and he promised that he would make everything all right. He went straight out and had the maid flogged for her carelessness—ten terrible lashes—and when it was over he told the bleeding, sobbing woman, “That will teach you to respect fragile things. You oughtn’t to have broken the mistress’s vase.” Then the man went to the most expensive shop in town and bought the most beautiful vase he found there. He took it home to his wife, and she smiled and dried her tears, and was happy again.

The Tale of the Man Who Became a Dog

    A poor man used to watch the lazy dogs of his rich master. The dogs did no work, and lay by the warm fire when it was cold, and always ate the best of meats from off the master’s table. “Oh, bother!” said the poor man. “Why should I have to work all day, from dawn until after dark, for my miserable moldy potato and bit of rancid meat? If I were only as lucky as a dog, everything would be all right.” The next day when he awoke, he found he had turned into a basset hound. He went immediately to join the other dogs, and ate the best of meats from off the master’s table, and spent many happy hours dreaming by the warm fire. Then one winter day the master died, and new owners came and chased the dogs from the house. “Be off!” said the new master, “I have no use for lazy dogs!” At first the dogs didn’t believe he meant it, but when he pulled out his shotgun, the dogs all yelped and ran off into the snowy woods. Then they organized themselves and hunted in a pack, and lay together at night for warmth. The basset hound—who used to be a servant—tried to snuggle in with the pack, but they chased him off. The basset hound tried to eat some of the kill from the hunt, but the pack chased him off and laughed at him. “I am a dog like you!” said the basset hound. “You are a dog,” they agreed, “but not like us.” And the basset hound went off by himself and eventually died of cold and hunger.

The Tale of the Fishwife

    Once a beautiful peasant girl, not quite woman-high, lived in a fishing village and worked tending nets and cleaning fish all day. She dreamed that a rich man might someday come by and notice her. “Surely he will be taken by my beauty, and take me away from these fish heads and nasty nets, and make me a fine lady in his beautiful house up on a hill, far away from the smelly village.” But as the years passed, she only saw fishermen and grocers, and the rich man never came. She married a fisherman named Jarl, and had seven children for him, six strong boys who became fishermen like their father, and one last child, a girl, who finally grew old enough to help with mending the nets and cleaning the fish. The daughter was as lovely as the fishwife used to be, and she often sang quietly while she helped her mother work. A rich man happened by and heard the singing, and when he looked at the daughter, he saw past all the fish heads and mess, and saw a lovely girl. Right then, he fell in love, and carried the daughter off to his fine house on the hill, far away from the miserable poverty of the fishing village. When Jarl came home and got the tale from the fishwife, he was overjoyed at their daughter’s fortune, and in his secret heart, he hoped to get some money from his new son-in-law. But the fishwife could only weep, and never tell why.

The Tale of the Whiteface

    Once there was an entertainer in the king’s court who painted his face white, put on black clothing, and stopped speaking. He acted out, in perfect silence, all sorts of plays and silly things, and everyone who saw him laughed and applauded, for he was very good. Whiteface used no props; he could tell an entire story just by moving his hands and body, and making his face show all the right emotions. One day he pretended to be the king. He put on his imaginary crown, and everyone could see that he instantly became noble and wise and stern all at once. He took his imaginary scepter, adjusted his imaginary robes, and walked through the courtroom dispensing imaginary justice to imaginary criminals. Everyone laughed and tossed coins to him, for his imitation of the king’s expressions was perfect. Then his face became wily, and he lifted his imaginary robes and tiptoed with exaggerated care, and everyone could tell that Whiteface meant that the king was going somewhere in secrecy. Whiteface made some hand-gestures that everyone understood meant woman, and a few people tittered while the rest watched in suspense. Even the king sat forward on his throne to watch carefully. Whiteface tiptoed across the room and stopped, and everyone could tell he was pretending to open a door very, very quietly. Now the king was frowning, but Whiteface didn’t care. He opened his pants and stuck his hand inside. Whiteface’s eyes got very concerned, and he groped around inside his pants frantically. Everyone except the king was laughing now, but when they noticed that the king was angry, they fell silent. Whiteface shrugged and closed his pants up again, and his face was woeful. “That’s enough!” said the king, and he sent soldiers to drag Whiteface from the court in disgrace. But the queen gave Whiteface a gold coin and smiled to herself.

 


Story Notes

In 1992, I was working on a computer program that had to transmit large blocks of text over an unreliable modem connection. This particular program needed to preserve paragraph boundaries even if a paragraph was so large that it couldn't be transmitted in one chunk.

For testing, I needed a block of text containing multiple sentences that was only one paragraph long. I suppose I could have copied any text, or just used rows of xxxxxxxxxxx and 1111111111 to test, but since I had to look at it over and over, I decided to whip up something I could memorize easily and that resembled the kind of text the program would actually use. "Forescore and seven years ago" would have worked, except I've never been able to memorize more than the first dozen words of that speech.

I pulled up my trusty notepad and whipped out "The Tale of the Broken Vase." Yeah, programmers are weird. We all know that. Move on, will you?

After testing the program (and thereby reading "The Tale of the Broken Vase" several hundred times), I realized it was actually a complete story. Very short—only one paragraph—but a story nonetheless. I wondered if I'd created a new art form.

To see if the new art form was viable, I scribbled out the next three one-paragraph stories in about thirty minutes each. When I'd written the first one, I'd been making test material. But when I was making art, I found it surprisingly hard to tell a complete story in one paragraph.

If I were grading these for an English class, I'd probably say that most of the stories really need to be broken up into multiple paragraphs, so I suppose I cheated a bit.

I still don't know if this is an art form or not. I haven't set out to write any other one-paragraph stories since. If you'd like to try your hand at it, be my guest.

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Copyright © 1995-2008 Jeffry Dwight. All rights reserved.