Goofy Mug Shot

In My Right Brain

Music and lyrics copyright © 1972-2004 Jeffry Dwight.

All rights reserved. Public performance or reproduction in any medium strictly forbidden withour prior written permission from the author.

Back to Music

 
In My Right Brain

Credits

    Music and Lyrics—Jeffry Dwight, 1972-2004.

    Why Should I Try Again
    I Could Love You
    Summer Love
    Bluesville
    Holiday

      Keyboards—Donnie Baddorf, Jeffry Dwight. Drums—Louie DuChane, Bryan Pierce. Bass—Dan Nyberg. Guitars—David Dillon, Jeffry Dwight. Backup Vocals—Louie DuChane, Bonnie Burns, Dan Nyberg, Donnie Baddorf, Jeffry Dwight. Strings—Jonathan Armerding, Phil Dresser, Bill Muir. Engineering—Jim Scheffler. Arrangement and Production—Donnie Baddorf, Jeffry Dwight.

    Little Jazz Love Song

      Keyboards—Donnie Baddorf. Drums—Bryan Pierce. Bass—Dave Radford. Guitar—Jeffry Dwight. Vocals—Jeffry Dwight. Engineering—Jim Scheffler. Arrangement and Production—Donnie Baddorf, Jeffry Dwight.

    Evil Carnival
    Half My Lifetime
    Eyes Like Fallen Angels

      Instruments and Vocals—Jeffry Dwight.

    Recorded at Universal Studio, Chicago. Original analog 16- and 24-track tapes transferred to digital in 1997. Additional songs recorded in Jeffry's family room 1997-2004.

Liner Notes

    This album is all very early music. The earliest stuff was all recorded at Univeral Studio when I was a teenager in Chicago in the 70's. A buddy of mine, Jim Scheffler, was a recording engineer on staff at Universal, and I dragged the band in to record "demos" in the middle of the night and on weekends. We only had to pay for the tape and Jim's time. It was good practice for him, and good practice for us. The "band" was composed of friends from high school. We never played together except in the studio, and most of the guys heard the songs the for first time about the moment Jim said, "Rolling" through the intercom. Despite all of that, we turned out some pretty good demos for a bunch of teenagers making it up as they went along. Only Donnie, Bryan, and the string players had any kind of formal training in music. I was just a geeky kid who surprised the hell out of everyone by starting to write songs one day.

    Until the mid-eighties, the only record I had of any of these songs were crappy two-track mixdowns, some on quarter-inch half-track and some on cassette. Then, out of the blue, Universal Studio called me and said, "Hey, we have these tapes of yours, and we're cleaning the storage area. You want 'em, or should we toss 'em?"

    I had no idea what material had survived on the tapes, but I wanted them. Even though I'd already paid for the tapes, the bozos at the studio had no record of that, so I had to pay again. Two-inch recording tape wasn't cheap back then, and it cost me several hundred dollars that I had to borrow from my parents. Of course, there was absolutely nothing I could do with the tapes, since the equipment to play them existed only in studios. So I stuck them in the back of my closet and forgot about them until the mid-90's.

    Analog recording on two-inch tape was quickly becoming a thing of the past by the mid-90's, and I worried that if I waited much longer, I would never be able to play the tapes because the equipment to play them would be gone. So I found a studio in Dallas able to transfer them onto 24-track digital, paid several hundred dollars again, and I still didn't know what was on the tapes.

    Turns out six songs—I Could Love you, Summer Love, Bluesville, Why Should I Try Again, Holiday, and Little Jazz Love Song—were intact. The rest of the songs were either too degraded, partly over-written with other stuff, or straddling a spot where the tape had been spliced so many times that it was no longer readable.

    Not one of the six intact songs was completely intact, either. Dropouts and bleedthrough had corrupted many of the tracks, and the tapes were noisy as hell. Analog has always been noisy, but age makes it worse. The signal levels drop, the highs whisper off into nothing, and the bass spreads across tracks. Bleedthrough (where parts of the song further along the tape become imprinted on the current music because the tape overlaps while wound on the reel for years during storage) made the silences rather noisy, too.

    I ended up peeling off each track of each song digitally, running it through the computer to squash blurts, beeps, hiss, and bleeds, then recombining everything. The parts that couldn't be recovered I dubbed over, and I had a hell of a time trying to make my modern instruments match the original sounds. I redid the lead vocals, added backgrounds in places where I'd either always wanted them or the originals had become corrupted, and remixed it all.

    Quite a job for just a six-song demo, but those songs have sentimental value. The end result sounds pretty much like any other music recorded in the 70's, and I'm glad I now have them in digital format. As one of my nephews is fond of saying, "Bits don't fade."

    I added three more songs to round out the short album.

    —Jeffry Dwight, 2004.

Why Should I Try Again

    I'm sorry for all the times I've tried
    I'm sorry for all the times I've cried
    I'm sorry, oh, I'm sorry for love

    I'm trying for a little reason
    You're crying for a change of season
    I'm sorry, oh, I'm sorry for love

    How can I know when love is real?
    How can I know just what to feel?
    Why should I try again?

    I'm sorry for all the things I've said
    Sometimes I could wish that I were dead
    I'm sorry, oh, I'm sorry for love

    How can I know when love is real?
    How can I know just what to feel?
    Why should I try again?

I Could Love You

    Leave all the lights burning tonight
    Sometimes I can't seem to face the dark
    And if you will please stay with me until
    I can begin to face the night again

    But I know I've got nothing to fear
    Just as long as you are here
    And I know you've got nowhere to go
    So slow down, and

    I could love you tonight
    I could love you

    Tonight you've been such a friend
    I can hardly say how much you've meant
    I only know that I need your sweet "hello"
    To greet me in the morning light

    And you know you've got something to show
    When you're never feeling low
    And you know you've got something to say
    When you know that

    I could love you tonight
    I could love you tonight

Summer Love

    It's such a sad thing when good friends must part
    It's such a hard thing for new love to start
    I'm going to miss you, and I pray you'll miss me too

    Summer love, I need you to hold me forever
    Summer love, please tell me you'll be here whenever
    Summer love...

    It's such a sad thing when summer must end
    It's such a hard thing to say, "Farewell, my friend"
    I've come to need you—Don't want to leave

    My lover, please say you'll stay in my arms
    I only want this day to last forever
    Forever and a day

    Summer love, I need you to hold me forever
    Summer love, I want you now, I want you more than ever
    Summer love, I only want, I only want to hold you
    Summer love...

    Love in the summer
    Love in the summertime now
    Love in the summer
    Love in the summertime

Bluesville

    Everything's normal in Bluesville
    The residents are feeling down
    The people there pretend that they don't care
    It's a lazy, loafing sort of town

    Loneliness is not uncommon
    'Cause friendly smiles do not belong
    They're all dreaming 'bout happy might-have-beens
    And living in world of frowns

    They're singing the blues, singing the blues
    They're singing the blues, singing the blues

    Yes, everything's normal in Bluesville
    Nothing's changed down there in years
    They're still dreaming 'bout happy might-have-beens
    And crying unrepentant tears

    Loneliness is not uncommon
    'Cause friendly smiles do not belong
    They're all dreaming 'bout happy might-have-beens
    And living in world of frowns

    They're singing the blues, singing the blues
    They're singing the blues, singing the blues

Evil Carnival

    Yi-ha-hah!

Half My Lifetime

    All my choices are gray
    Half my lifetime has slipped away
    Easy now to see where I went wrong
    Easy now to see where I belong
    But half my lifetime has gone
    Half my lifetime has gone

    All my pride's turned to dust
    Half my loving's been spent on lust
    Easy now to see what I must do
    Easy now to give my heart to you
    But half my lifetime, a fool
    Half my lifetime, a fool

    So much time weighing down my mind
    So many places without you
    So much time caught between my lies
    I love you

    All my feelings are cold
    Half my pleasures are growing old
    Harder now to turn my heart to stone
    Harder now to live my life alone
    And half my lifetime has gone
    Half my lifetime has gone

    So much time weighing down my mind
    So many places without you
    So much time caught between my lies
    I love you

    All my choices are gray
    Half my lifetime has slipped away

Eyes Like Fallen Angels

    You walk into the room, your eyes like fallen angels
    My heart was filled with gloom, but your smile was like a signal
    Could I be wrong? Could you belong to me tonight?
    Or am I right about your smile? Just for a while, you're in love

    Then you touch my face, and I have to stop and wonder
    Why should I erase the spell you've put me under?
    Could I be right? Could my life start here tonight? Right before your eyes! Or am I wrong? Just like a song, I'm in love

    Could it be so wrong, you know it happens all the time
    Just takes so long to find someone to share my mind
    Are the things you see in me the things I see in you?
    Oh, darling, is it true?

    Then you take my head and you lead me into heaven
    Until this evening ends I wanna take all you're giving
    Will it be nice living in your eyes? Don't ask me why! Just let me try. Lord above, what I'm thinking of—we're in love

    Could it be so wrong, you know it happens all the time
    Just takes so long to find someone to share my mind
    Are the things you see in me the things I see in you?
    Oh, darling, is it true?

Holiday

    Don't want to waste my time just hanging around you
    Well I got better things I could do
    Lady you know, we're no longer children
    We both got different roads to choose

    I don't want to make you unhappy
    Lord only knows I've hurt you enough
    But lady you know, this isn't a story
    I can't bring back the love I've lost

    Feel like a puppet on a string
    And it's time to go
    It's been a very good thing
    But it's time to go

    Don't want to waste my time just hanging around you
    Well I got better things I could do
    Lady you know, we're no longer children
    We both got different roads to choose

    You can't say that I never loved you
    You can't say I've done you wrong
    Twenty-three years is a hell of a holiday
    It's time for me to move on

    Feel like a puppet on a string
    And it's time to go
    It's been a very good thing
    But it's time to go

    I see the hurt in your eyes
    I feel the coldness in your heart
    Why can't you simply realize
    I need to make a new start

    Feel like a puppet on a string
    And it's time to go
    It's been a very good thing
    But it's time to go

Little Jazz Love Song

    Looking out for my happiness
    Trying hard not to be impressed with you
    What am I supposed to do?

    Walking down this lonely street
    Every sign I see see seems to point
    Directly at you

    Whoa, whoa, I've got this feeling
    I'm going to fall in love with you
    Whoa, and I've got this feeling
    This love is something new

    Looking out for my happiness
    Trying hard not to be impressed with you
    What am I supposed to do?

    Whoa, whoa, I've got this feeling
    I'm going to fall in love with you
    Whoa, and I've got this feeling
    I've got this feeling...

1801 page views recently
Copyright © 1995-2008 Jeffry Dwight. All rights reserved.